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While this mechanic can be exciting and keep you on edge initially the more encounters you have the more somewhat random it feels so it is then just something you have to deal with more than something you can take steps to actively avoid. Without that element acting as a thin veneer to make the gameplay interesting you’ll find the game boils down to walking a lot of hallways and searching rooms for clues and supplies. There’s the element of mystery around what’s going on and who some of these characters are but without a strong connection to any of them, including the somewhat generic Youngho himself, it’s a bit of a slog in places. While a strong ending could certainly redeem the experience even the “best” of the multiple endings, depending on some key choices you’ll make, I’m not convinced carries a strong enough sense of satisfaction to absolutely make this a winner for everyone. Despite a reasonably strong sense of style in the art and audio departments The Coma: Recut simply doesn’t do enough over its few hours of play time to clearly make it worth your time. There will, no doubt, be people who find that it delivers that little dose of adrenaline they need, and that the characters and story are just interesting enough to redeem the generally mundane exploration, but for me it mostly it bordered on being tedious. If you can become invested quickly in the characters and limited story it may keep your attention but otherwise Recut simply fails to inspire.
Justin Nation, Score:Bad [5.0]